That Floating Excrement Was Way Too Meaningful! These Are the Television Letdowns of the Year.

Looking back, we reflect on the TV offerings of the past year, a handful of series stand out not for their brilliance, but for their notable shortcomings. From awkward spin-offs to bafflingly bad documentaries, here are the productions that had us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate follow-up? Plagued with woeful writing, painful arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to justify its existence. Briefly, as the final series began, it looked like it had at last hit its stride. Then came an episode centered on Seema’s natural deodorant. Little surprise the creator announced this would be the final season. It ended on a low point; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Still, fans certainly found joy dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the least of this show's problems. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to begin listing the flaws. The laughably leaden dialogue? The mind-numbing glorification of wealth and materialism? The almost wilful parade of cliches? Acting so bad they felt almost spiteful? Suffice it to say “each and every one” and never speak of this show again. Except, a second season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence claims and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part documentary which chuckled along at Sheen’s various episodes of reckless excess while failing to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this series might induce should be saved for the people who have had to endure proximity with this charming but dismissive egotist.

The Iris Affair

Of course we knew it was preposterous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Shady characters convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is unfair on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing accents. But there were plenty of other problems. Primarily that it was just profoundly dull; a conflict over narcotics territory between various London rogues which seemed a bit basic.

The Meghan Markle Series

Given the degree to which she provokes the ire of the nation’s ostentatiously angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various ventures into quaint homemaking as deliberate provocations. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a lifestyle catalogue animated; a poster for evening drinks with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental platitudes and pointless crafting “hacks” you’ll forget instantly. All underpinned by vast, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about both Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to explore them. Instead, the experience was like reading a marketing brochure. She obviously has every right to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this guarded non-event of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s still too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The series ended up reeking of a production that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of famous friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the smart inclusion of gifted emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from oddly jaunty, slightly mannered farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a discovery that could destabilise society? Nope! This globe-trotting thriller about secret services targeting – and killing off – academics frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for sexual exploits as she prepared for her most extreme challenge yet. What on earth would possess her? What we craved was far greater interrogation of her true psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to drag her son out of the queue. What we got was disturbing shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Cameron Miranda
Cameron Miranda

A seasoned gambling analyst with over a decade of experience in UK online casinos, specializing in game reviews and responsible betting practices.